HangmenProjects, Stockholm










You Should Have Thought of that Before
HangmenProjects, Stockholm, 2017
http://www.kunstkritikk.se/kritikk/sanning-erotik-mode/ by Lars-Erik Hjertström Lappalainen
In the exhibition You Should Have Thought of That Before, Ninna Berger present works, both installations and text, in compositions of layered fragments.
She writes:
– The texts are there to offer context and an additional way to take part in my work. They are minimal, micro stories, flash-fiction fragments, thoughts, edits and distortions, kept as they are, a line or two, from the loop where information is constantly added and never withdrawn. I have been in a process of detoxing, cleansing (body), and renewing thought (mind) – of course failing in this – and making this work at the same time. So I blame myself for the absence of any emotional obsession; I have gotten pickier. But then I am, without exception, independent of any type of event, as a personal zeitgeist – unsatisfied. Reflecting on my work I have put energy into making it non-linear. There should be no beginning, no middle, and no end.
Direction
H:
//
I woke up this morning and my first thought was:
- My life is going to hell.
On the phone she said:
- You should have thought of that before.
F:
//
- Don’t save me for another time, I can notice that you do, please use me now.
//
I find something and then I forget what it was. It’s been long since I’ve made amends with the obvious but I’m overwhelmingly curious of what will happen in the after. So I take the risk.
//
In the search for ways to make thoughts, objects, and actions unfold, reveal themselves letting us know where we are (who we are, what to do, where to go). Nothing will ever be finished and in that there is comfort and calm.
//
I’m trying to create systems but then I change my mind in the middle or organizing or I restlessly forget the structure of it. So I live in a chaos with intentions. Every time someone visits me, where I live, where I work, they get overwhelmed and they tell me how I should do. I already know this.
//
Now: My brain.
Reality: They have been sawing things to pieces outside my window for weeks. They have been drilling holes in the walls forever.
//
- You seem to do well.
(I have no direction)
(I’m making a mess)
//
In a food shop specialized on rare foods I found squid ink in half-liter jars. I was attracted to the organic and peculiar substance and that it is the substance of both fear and escape. It’s a pitch black, thick and jam-like sticky texture.
//
- Why do I always find the key but constantly forget what lock it fits?
S:
//
I visited churches almost every day. I went to see paintings and sculptures but mostly just because they are there, everywhere. Every church is different, decorated with it’s own overloaded style displaying their riches and exquisitely exaggerated ornaments. Their radiant energies of spiritual excess and promised rewards, if devoted, was all very contradictory and confusing. Going to mass, listening to the choirs and watching believers pray I was a tourist of religion, a voyeur of the power of religion. Visiting a room of with that magnitude and slowly letting go of reason the invitation to look inwards for guilt, sins and hopes of redemption is hard to turn down. I had thoughts of forgiveness that I’d never had before, and realized that I had never understood what forgiveness is.I was a drifter not wanting to get caught, slippery, unreliable and proud of it.
//
(In another city, at another time.)
Looking for materials I found my way to the weekly Sunday market. It is enormous, filled with everything and nothing. Drawn, as always, to the maladjusted and askew I found a fabric stall run by a strange, comical but friendly, weirdly attractive skinny middle-aged man. He sold bits and pieces of odd materials for change. Some of them with strange prints and most of them obviously discarded from any type of usable field. Probably he got them from a dumpster behind some fabric shop. I made it a habit to visit his stall to hunt for bits of random disabled fabrics.
//
Why are there so many hills?
//
I cut his hair, brushing off his dandruff with my hands and we discussed the following:
- Spiritual voyage and mindfulness as excuse and tool in avoiding the burdening of acknowledgement of the fact that you’re middle class, almost middle aged and afraid of compromising your comfort. That time is moving too fast and that nothing will ever be as we wanted / imagined it as.
-Anti-intellectual behavior as refuge for the middle class, as in owning, over renovating apartments, ignorant traveling, complaining about things that doesn’t affect their lives, complaining about meaningless things that does affect their lives.(eating crisps in bed and then getting upset by the crumbles, which I did just the other night)
He then told me about his project where he had invented a species of bird that doesn’t exist and how he is traveling the world lecturing about the bird.
//
I was searching for a documentary on a female artist.
S:
//
Reality: I do my best not to alienate people.
Reality: I am seldom very successful in my social projects.
//
Reality: Her (Then what is it?) (unconditional love) (she is me and I will always disappoint her)
Reality: People looking at me so that I see what they think.
//
(I never want to travel alone again.)
//
I asked him for a photo of the work and the materials that was to be thrown away.(I couldn’t afford to ship it all.)
- It was wrapped up in a big plastic sheet and taped together, nothing to see.
//
I tried my best to make you stick, you did but you didn’t stay.
//
E:
//
- I want you.
- I’ve had many and I want more.
//
-No, thank you! You looked just as I thought you would, but you’re taller. I hope you’ll have a good journey home. -Haha! Haven’t we met a long time ago? In 2001? I look just the same…
- Do you recognize me from back then?
- Yeah I do, I have a good memory, we talked in the queue for the toilets at a party
- You do have a good memory, where were we?
- At the art school, in one of the smaller rooms.
- I just woke up, I got to think about all the things that have happened since 2001, then I had just started art school. Do you remember what we talked about?
- No not at all.
//
I will tell you all my secrets.
//
He came circling in, like a vulture on a fresh carcass, the only exception me not being dead.
He looked me up and down.
- With you, two and a half minutes.
//
I told him he would be in my work, he said:
- No.
//
T:
//
Why are we (I) supposed to defend our (my) behavior in a linear way even if our (my) feelings aren’t? Actions transform with time and so our (my)behavior must be considered naturally erratic?
//
The best way to get one is to give first.
(Show me yours and I’ll show you mine.)
//
I have a friend. She is an overeater, polyamorous and probably a sex addict, highly sensitive, bipolar, has add, threatening arthritis, always poor but always traveling the world, extrovert talker, a liar, strange dresser, hustling and constantly tangled up in strange dramas but is loving in a childish, fairly psychopathic way. She will probably send me messages until the end of times in the need of favors.
//
They say that it is impossible to tell a lie without the body exposing that it is with micro expressions.
You know what I want to know.
Tell me now.
//
Now: Difficulty making conclusions.
Before: Made the wrong conclusions.
Now: Not making any conclusions.
//
Secrets
A:
//
– I never finish anything.
– Next chapter:
//
There are so many loose threads laying around that I constantly get tangled up, tripping over, in my search for the one that will lead me to the core of fragments.
– You have worked forever.
– It takes a long time to look for things, but I have time, I’ll be doing this for the rest of my life.
//
– So what did you do when you felt the jealousy taking over?
– I got to be even nicer.
//
– I might change my mind, it has happened before.
(I wish I knew what I wanted.)
//
I’ve heard that person’s words and thoughts so much so now I, unwillingly, see through that persons eyes.
//
-You seem to do well.
(I have no direction)
//
– I never finish anything
– Don’t save
//
D:
//
Pragmatism: What doesn’t break you makes you stronger.
Poetry:
//
You told me things that never happened and every time I fell in your trap. Every time I wanted to believe and I gave you new opportunities, more time and more love wanting and waiting for you to do the same. You have realized that too, now, too late. And with all the words you spoke and wrote, by now, you created this powerless circumstance.
//
– Everything is normal.
(I wish I could change something.)
//
F:
//
I had the radiator on full power and I woke up cooked.
– We had such great sex.
– It was just a dream.
//
A person had been telling an extravagant story. The story was hilarious and included a bit of unflattering clumsiness. He had been telling the story for years until he then by coincidence told it directly to the person that it had actually happened to, the original storyteller. When confronted he realized, after some denial and embarrassment, that he had adopted the story, embedded it so vividly in his mind that he thought it was his own.
//
I couldn’t do it. It was as if I had lost my concentration and my focus. I tried to get into it, I wanted to create the fantasy and step in. But I sat there looking at the containers and cups and I thought:
– So that was it, it is over.
//
He sat there with one of his teeth rotten and dead, with needle head pupils, nervous fingers and a fully developed disconnection to reality, probably in a psychosis, 27 years old.
– I could easily get a job there (in one of the worlds most advanced restaurant) but I don’ think it would be good for my artistic career.
He told this in a worn down restaurant, to an almost stranger, where he flipped mediocre burgers. He didn’t ask his new, not to be long-term, friend one single question and talking only about himself, he also showed a picture of his girlfriend.
//
S:
//
Everybody has to keep the secret, or the party won’t be a surprise.
//
He and I went around town searching for materials. But we also talked. I know more about you than you think.
//
– What is under the black blocks?
– If I told you, why would I then make them black?
//
Ciao
Well, Rome, what can I say. It kept me awake on different levels, ever night someone was screaming, crying, yelling, arguing, laughing, celebrating or chanting outside my windows. If this didn’t wake me up, sirens or a loud motorcycle would do the trick. One night I woke up in complete terror hearing a man primal scream ROMA as if he was condemned to hell and already caught on fire. The narrow space between the tile houses functioned as a perfect, always turned on, amplifier.It is a recognized tool of torture to be kept awake and I must say, the eternal city really did. On an emotional level the concentrated and tangible thickness of ghosts and traces of destiny itched on my skin. It is not the well-stated facts of already written down, schoolbook history, that timeline has already been discovered for us. But it is something about the relics behind glass. With the bones hung on walls and the churches more alike animals than buildings. It is in the strange feeling of uninvited stepping into a tomb, meant to be sealed up and closed forever, snapping a photo of a grave that is supposed to be pitch black, untouched and private. It has to do with the black paving stone set like teeth in a jaw, covering the streets.
I don’t think
interesting anymore, but maybe memory is?
(The thing I find most difficult to keep track of in my own life.)
Back in Stockholm I experience the silence again. It is so silent I can hear my ears ringing. But soon I will be welcoming the nightly terrors again. I was invited back for November, so I will be there, not here and I can’t wait.
unfinished and waiting for me.
you
X
//
(this is one, not to you but to someone else)
//
Don’t tell me what you know.
Answer
Question
– It is true that the greatest loves of my life have been shorter than me, with one exception.
Question
Maybe it’s because I suffer from prosopagnosia, face blindness. Sometimes people come straight up to my face and hug me and I have no idea of who they are. That is scary but not uncommon. Then some faces I’ll recognize instantly, but then maybe not the next time. I have tried to make some sense to how my brain selects and remembers but I have given up since there is no pattern. One of my best friends, who I walked past in the corridor of our art school almost every day, took me years to recognize. Before she learned and saw my dysfunctional behavior with her own eyes, she thought I was a complete relational fuck-up. I may also call out the wrong name to friends I’ve known for more than ten years.
Question
It’s as I live a secret life from myself; my character is out there performing a role, taking part in life as much as I am shut in.
Question
Usually I stand there, utterly confused with no idea what they are talking about. But obviously I had been there.
Question
Often I forget that I have a social disorder and don’t remember it until I’m there, with a stranger in my arms.
Question
– Yes, but does one exist? For example, I often have imaginary conversations, often with characters intended for novels that I will never write. The conversations are truly inspirational.
Question
– Someone told me that you are supposed to clean from corner to corner.
Question
– To do that I decided to put up some images across from my bed. The idea was to instantly look at them in the morning to lead my thoughts in a more uplifting/constructive direction. I haven’t found any good images yet.
In London I had two images pinned to my wall. One was of a woman or a man in heavy makeup wearing a bathrobe and one was of Pina Bausch performing in one of her choreographies in her signature nightgown. Both images were in black and white. I don’t know how to analyze why I needed to stare at them. They never made me feel good in that sense.
Question
– A friend gave it to me after days of conversation and walks all over town: ambivalence and alienation. According to her that would be perfect themes for me.
Question
We will see how it goes and so far I’m still intact, almost. And maybe I also found something interesting. He is eleven years younger but so far he isn’t boring.But I probably just ruined our relation this morning anyway … Well, as you see, I’m working my way out. There is always a mess. Or one could say, I’m not living in the moment but desperately trying to keep up.
Question
-alienation-hiding-scenography-staging-catwalk-view-gaze-subjectivity-self-persona-play-lines-words-imagination-truth-untrue-story-reality-escapism-wanting more-ambivalence. Or what do you think?
Question
– Sometimes it is for understanding a certain time or how the inside of someone else’s brain looks.
Question
I think it’s good for your nervous system – in a savage way, to be showered by adrenaline, the thrill and fear of getting caught. Stretching the boundaries and crossing the lines of what is mine and what’s theirs, who is owned and who is the owner? It has to do with having our lives controlled by the capitalist system and how we’re supposed to feel for stuff. My mother encourages it so then it can’t be wrong?
Question
– I think it could be a way to make thoughts, objects, and actions unfold, reveal themselves, letting us know where we are (who we are, what to do, where to go). We want to belong to a group, so they say. I respect this activity even though I’m not a believer in the methodology to get there.
Question
– I see it so that every attempt to succeed is a failure, success is an impossible goal and really I don’t know why it’s so important? When you get to where you thought you were going everything has changed on the way. Failure is much more interesting. Nothing will ever be finished and in that I find comfort and serenity. It is when you think – this is going really well – that you are in real trouble.
Question
– I’ve never used notebooks, making notes on single sheets of paper makes it easier to erase.
Question
– We are also supposed to defend our behavior in a linear way even if our feelings are not linear. Actions transform with time and so our behavior must be considered naturally erratic? And so also our work?
Question
We fluctuate with personal highs and lows, we sometimes have parallel moods and then we spend time together. Then slowly we drift back to the depths of our separate worlds without noticing it. And that is why I will be easy on our attachment because that itself is an exchange of energy so exclusive I’m afraid to jinx it. In our friendship we don’t have set roles. I can’t expect something of her or she from me. That’s the dynamic. Sometimes I call or text her and get no answer. Sometimes she gets irritated with me for doing the same.
-Stop ignoring me, she texts me.
I don’t reply.
This is when I am as paralyzed as she might be the next time, when I want connection. We have found comfort in the ambivalent state we both are in, she won’t be there for me and I’m not counting on it. In that there is certain stability. We have each other for other reasons. What I’m trying to avoid is also to get personal. I don’t know if she would like that, or I do, she would hate it. I know a lot of her secrets but that’s just it, her secrets are different from yours and mine; hers have a density and weight that ours do not. So really, when she asked me to write about her, I had no idea of what she wanted; she can get angry too.
Question
When asking her I expected, as always, another answer and also a discussion on a suitable subject. But she said:
– You should write about me.
She said this in the same breath as she told me she had no skin on her chest or on her arms. I suggested she put on a bandage to at least have something to hold her together. Roaming my memory there is no other friend that stay so elusive and volatile as her. This is her attraction and something of a lesson. She is the one that does absolutely no acting yet she is cast so perfectly in her part.
Question
– In my process of withdrawal, cleansing and forgetting I have at the same time been honestly defeated by the absence of emotional obsession. But there is also bliss and productivity to be found in this state. It is too bad that darkness has such a bad reputation.
Question
– It could be a flexible work.
Question
– I am amazed that people can agree or even like the same things.
Question
– But isn’t it impossible to hold the artist/author of the work equal to the work? Aren’t we role playing most of the time? Especially in our work, inventing personas and stories? I’m just one dimension, you are another, but we can’t calculate what that adds up to? Before I could argue the opposite of my own belief, just for the thrill of argumentation. I don’t do that anymore. Actually I don’t have that many discussions at all. They don’t seem to have time for that here.
Question.
– I haven’t googled her yet. Or her husband. To not know how she looks or how her voice sounds gives me freedom to fantasize about her as a character.
Question
– It’s to get closer to each other by distancing others. I know this is a thing you do socially, in order to connect, build a group and to develop confidence to one another, but I’ve had to learn how it works. I remember the first time I learned that someone who I had never met disliked me. It chocked me and made me very very confused. It had never occurred to me that it was a possibility. I was about 14 years old.
Question
The next time I saw him he was even worse and when I asked him my question he didn’t have an answer. But I know how it is; a life full of drama makes you feel alive, that life is actually happening, it feels, it hurts, it keeps you on your toes psychologically and you get addicted to the adrenaline rush. When going deep into your own suffering and despair the glimpses of happiness seem so powerful that the suffering seems worth it. But it’s not. There must be a way to be happy without drowning.
Question
I asked: When you are not obsessed who are you then?
Question
I was trying hard. One took notes during our conversation, wanting me to repeat things I said so she could write them down and asked if she could quote me for her own essay. The other one didn’t catch on to the hooks in conversation that I deliberately laid out as a test. Her brilliance comes in unexpected doses, but is hard to use and there are too many things going on in her life. I love them both; they are invaluable in my life, but useless for my purpose. So I had exhausted the resources I had and I felt that the time had run out.
Question
Before I thought of rules as something useful in order to be productive, but now I just see them as limitations.